When Atomic Blonde premiered at SXSW back in March, one of the recurring complaints, even from those who enjoyed the film, was that Charlize Theron’s cool Cold War spy thriller could’ve benefited from a female director. It looks like we won’t have to wait very long to see that theory put to the test, as Blake Lively has signed on to headline a female-led spy franchise from the producers behind the James Bond series and the director of The Handmaid’s Tale.
Just last night we learned that Quentin Tarantino’s next film is a “unique take on the Manson Family murders” — news that sent the internet running through the entire reactionary cycle at an unprecedented speed. Little is known about the project and what Tarantino’s “unique take” on the gruesome true-crime story might be, which only fueled speculation about the film (and inspired plenty of premature judgment calls). A new report offers a few more details about the untitled Manson Family project, most notably that Tarantino has met with Margot Robbie for the role of the late Sharon Tate.
Disney has several live-action remakes in development, but two titles in particular have attracted a little extra attention: Aladdin and Mulan. Although pop culture is becoming increasingly socially conscious, Hollywood’s unfortunate history of whitewashing has left many (rightfully) concerned over the casting for both of these films, especially since the studio behind them doesn’t exactly have the best track record with diversity. And while Disney has made it clear that they’re committed to casting actors of relevant ethnicity in Aladdin and Mulan, a new report reveals that the studio is struggling to do so for at least one of those projects.
Look, we’re already pretty pumped for the next Mission: Impossible sequel — with Christopher McQuarrie at the helm, both Rebecca Ferguson and Michelle Monaghan on tap, and all this talk of Tom Cruise performing his most daring stunt yet, we’re more than adequately excited. All those sneak peeks McQuarrie & Co. have been sharing from the set of the sixth installment are just a series of added bonuses.
Although X-Men: Apocalypse and the latest Fantastic Four reboot were fairly notable disappointments for 20th Century Fox, the studio is doing pretty, pretty, prett-ay good in the Marvel department. Thanks to the critical and commercial success of Deadpool and Logan, Fox’s X-universe has been revitalized, and even if the next X-Men movie underperforms, they still have New Mutants, X-Force and Deadpool 2 on the way — and it looks as though that may be the tip of the iceberg.
As far as the rest of this summer movie season is concerned, Ingrid Goes West is my most anticipated film (sorry, Spidey). Aubrey Plaza continues her totally unreal tour of pop culture insanity (see also: Legion) in the latest trailer for the Sundance favorite — a social media parable in which Plaza plays a self-destructive, Instagram-obsessed young woman who seeks validation through likes, which she confuses for legit human love…you know, like all of us.
Now that Will Ferrell and Mark Wahlberg’s dads have got their “co-dad game on lockdown,” it’s time to shake things up for the holidays. The first trailer for Daddy’s Home 2, aka Sofia Coppola’s most anticipated film of the year, has arrived and it’s brought the grandaddy of all problems — literally — along with it. Yep, grandpa’s comin’ home and he’s Mel Gibson.
Marvel and Sony have already set a 2019 release date for the sequel to Spider-Man: Homecoming, which hits theaters in just a few weeks. But as you probably suspected, that momentous collaboration won’t end with two films, as Tom Holland himself has confirmed Marvel’s — totally not shocking at all — plans for a complete Spidey trilogy. It may be the least surprising news you read all day, but it’s still comforting to know that Spider-Man is back in good hands (for at least three films and a few MCU appearances, anyway).
While Pixar’s animated world of anthropomorphic automobiles may very well continue on past Cars 3, there’s a whole lot of finality going on in the final trailer for Pixar’s latest chapter in the racing saga. “One new turn…One more dream…One last chance” reads the title cards in the new trailer for the sequel, in which Owen Wilson’s Lightning McQueen suffers a crippling accident that threatens to end his career. I swear this movie is still totally for kids.
Chim chiminey, chim chiminey, chim chim cheree, Emily Blunt’s Mary Poppins looks so darn lovelyyyy. (Sorry, never sorry.) As you might have guessed from my dumb little rhyme there, today brings some new photos from Mary Poppins Returns, Disney’s upcoming musical sequel in which Blunt steps into Julie Andrews’ whimsical shoes as the magical British nanny.
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