A handful of Super Bowl ads have already landed online ahead of this Sunday’s big game — it’s the usual mix of TV spots for upcoming movies like Ghost in the Shell and Transformers: The Last Knight, along with a few ads featuring familiar faces like Gal Gadot and John Malkovich promoting businesses and collecting paychecks. And then there’s Honda. Like others, their ad for this year’s Super Bowl also features several beloved celebs, but there’s something kind of unnerving about the execution.
The official title of the next chapter in the Star Wars saga was announced this morning, and there’s already been a little speculation among fans about who The Last Jedi might be — is it Luke Skywalker (the obvious choice) or Rey (the second-most obvious choice)? As it turns out, we already know, and by “we,” we mean you do, too…unless you didn’t see The Force Awakens. But observant fans will tell you that there may be a third option — one that’s less apparent, but a little more intriguing.
If you didn’t like The Ridiculous 6 or The Do-Over, don’t worry — Netflix isn’t giving up just yet. The streaming service is determined to make you love Adam Sandler again, and this time, they’re taking him back to 1994, which is probably the last time he was genuinely entertaining (OK, with the exception of The Wedding Singer). Yep, there’s another new Sandler movie coming to Netflix; behold, the first trailer for Sandy Wexler.
Neon pandas and rainbow-swirled unicorns and bubbly dolphins — that could describe an eight-year-old girl’s psychedelic mushroom trip, or Mariah Carey’s dream journal, or, more likely, a Lisa Frank Trapper Keeper from 1992. The Frank brand is still keeping the dream of the ’90s alive in 2017, and honestly, it’s surprising that it’s taken this long for her candy-colored creations to terrorize the big screen.
Margot Robbie wasted no time leveraging her stardom into producing her own projects, including an upcoming DC all-female super-villain ensemble film (in which she’ll reprise the role of Harley Quinn) and, perhaps more interestingly, a biopic about disgraced former figure skater Tonya Harding. Today brings our first look at Robbie’s transformation for the title role in I, Tonya, which is a bit more physically involved than you might expect.
If you’ve ever wondered what a Tim Burton movie starring Will Smith would look like, you might find out relatively soon. The actor is reportedly circling a role in Disney’s live-action remake of Dumbo, which Burton has been attached to direct for some time now. After delivering the disappointing one-two punch of Suicide Squad and Collateral Beauty, Smith sure could use a win, and joining Disney’s growing empire of live-action remakes seems like a pretty safe bet.
“Everything that you guys are talking about sounds like a really entertaining but far-fetched TV show” — so says Zac Efron in the new international trailer for Baywatch, which combines the self-awareness of 21 Jump Street (or seems to be trying to do that) with the ridiculous action of your average Dwayne Johnson movie. The latest trailer for the comedic retread of the classic ’90s TV series drops the green-band pleasantries for a profanity-laden, NSFW sneak peek at the upcoming film, and though we’re not 100 percent sold on it just yet, Baywatch looks pretty darn watchable, at the very least.
La La Land’s backlash arrived a little later than expected this awards season, but that didn’t stop the jazzy bittersweet musical from claiming a top prize at the 2017 Golden Globe awards. In one of the least surprising moments of the evening, Damien Chazelle’s Whiplash follow-up received the award for Best Motion Picture – Musical or Comedy. Next stop: The Oscars, most likely.
Without knowing the scope of Carrie Fisher’s role in the upcoming Star Wars sequels, it’s difficult to speculate about how Lucasfilm might address her recent passing. But a new report has uncovered key details (and potential spoilers) regarding General Leia’s narrative arc in Episodes VIII and IX, and reveals that Lucasfilm president Kathleen Kennedy is planning to meet with director Colin Trevorrow next week to contemplate their options for Leia’s role in the forthcoming sequels.
Any contemporary sequel to The Ring would have to incorporate the internet, and why not? It just makes sense. Destroying a videotape is one thing, but how do you stop a haunted video once it’s been uploaded to the seemingly infinite void known as the worldwide web? You can’t. Such is the premise for Rings, the repeatedly-delayed sequel to Gore Verbinski’s 2002 remake of the Japanese horror classic which has a brand-new trailer ahead of its February release.
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