Most of what I know about complex science comes from comic books, so forgive me if my understanding of quantum mechanics is a little off. But, I think it can mean that particles can exist in two states simultaneously. 'The Amazing Spider-Man 2,' a film loaded with such half-understood notions of difficult scientific concepts, is a quantum movie. It manages to be both awful and entertaining, frequently at the same exact time. The script is ludicrous, even by summer blockbuster standards. The characters behave irrationally and without motivation and the story makes lengthy, frequent pit stops into dull backstory. But, for every moment of tedium and confusion there is a tiny explosion of joy. Director Marc Webb just barely ties this collision of half-baked ideas together in a sticky Spidey bow.
When I was a young man and the Internet was new, I made the same joke every time I dialed-up and heard those dissonant, scratchy tones. “Chhhhhhh-CHHHHHH-Chhhhhh” my modem would bray, and as soon as there was silence I'd turn to whomever was in the room and conspiratorially say, "all right, we're in."
'Transcendence,' the first feature film directed by Christopher Nolan's longtime cinematographer Wally Pfister, is two straight hours of that “all right, we're in,” with (slightly) updated peripherals. Featuring more technobabble than a middling episode of 'Star Trek: Voyager,' Rebecca Hall and Johnny Depp star as husband and wife computer geniuses who, along with artificial intelligence labs across the country, are attacked by a band of “neo-Luddite” terrorists.
There are 35,000 deaths due to motor vehicle accidents in the United States each year. Every ten seconds someone is given emergency treatment because of a car crash. According to a report by the CDC the financial impact is close to $100 billion on injury care and lost productivity.
I know 'Need For Speed' is just a movie, and movies are entertainment, but it is shocking beyond all reason how much this movie thinks automotive safety is a big joke. I understand loving an outlaw, but when 'Bonnie & Clyde' robbed banks they were “punching up.” When Aaron Paul and his merry band of mayhem mechanics destroy public works and send innocent bystanders careening off of highways, they are “punching down.” 'Need For Speed,' its producers, writers, director and maybe even its stars should all hang their heads in shame.
The opening shot of 'Non-Stop' has Liam Neeson pouring whiskey in a coffee cup and stirring it with a toothbrush. He then reaches out to a photo of a young girl to stroke it with his fingertips. After this the phone rings and the caller ID reads 555. In other words, three of the biggest movie cliches, all in about sixty seconds.
Wes Anderson has finally done it. He's gone and created his own country.
Zubrowka, the fictional town at the heart of 'The Grand Budapest Hotel,' is positioned on the farthest Eastern edge of Europe's great empire. It is a melange of stylistic flourishes and decorative signifiers from a make believe 20th Century - a memory of a memory, a fastidious, whimsical take on real horrors - a storybook samizdat that entices with madcap adventure then goes in for the kill with existential dread. It is an incredible place to visit.
Much has been said about our recent cinema kowtowing to nerds. From the massive success of 'The Avengers' to the ill-fated sci-fi odes of 'Paul.' (Anyone remember 'Paul?') The nerds have won. But whither the spaz?
Take a moment to remember the spaz. The hyperactive, highly-excitable enthusiast who can barely stay in one place for longer than sixty seconds and makes a little bit of a mess of things with his chaotic energy. 'The LEGO Movie' is the film for that person. From its opening frame to its surprisingly heartfelt conclusion, 'The LEGO Movie' has a bright and brash, candy-colored go go go dynamism that crackles with a glorious alacrity set to the tempo of the classroom's biggest and most disruptive spaz.
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