In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
When Martin Scorsese and Robert De Niro aren’t busy trying to figure out ways to digitally de-age the latter in Netflix movies about professional hitmen, they do field offers from other studios. That seems to be the case now with Imperative Entertainment, the production house that recently snapped up the rights for David Grann’s non-fiction novel Killers Of The Flower Moon: The Osage Murders And The Birth Of The FBI. After spending a whopping $5 million dollars for the rights, Imperative immediately pivoted into convincing the two Hollywood stars — and their frequent collaborator Leonard DiCaprio — to accept the project on their behalf.
It looks like 20th Century Fox is in a release date kinda mood. After James Cameron used his film’s Facebook page this morning to share the premieres of his next four Avatar sequels, Fox has also announced the release dates for its upcoming slate of Marvel movies, including Deadpool 2, New Mutants, and the next film in their X-Men franchise, X-Men: Dark Phoenix. For the five Gambit fans in the house who thought this might finally be their moment, well, sorry guys, that one’s still in development hell.
It’s been nearly eight years since James Cameron’s Avatar took the global box office by storm, and while it’s become très chic for some corners of the internet to endlessly bash Avatar, I still maintain my stubborn affection for Cameron’s movie. Very few filmmakers can create action-driven science-fiction that operates at Cameron’s level; just look at how many times people have messed up Cameron’s Terminator franchise, a near-flawless formula for blockbuster movies that studios have nevertheless run directly into the ground. We may laugh at Cameron’s planned sequels, but they are both original (technically!) and creator-driven movies. Isn’t that what we claim to want from Hollywood?
Dystopian cinema is all the rage right now. Not only is the release of Hulu’s The Handmaid’s Tale only a few days away, we were also recently treated to a series of synchronized screenings of 1984, the film adaptation of George Orwell’s seminal novel. While some may view this as a collective piece of cinematic snark, plenty of others are using these projects as an opportunity to open the door for increased education and awareness about media literacy, politics, and art. And while HBO may only really be interested in art and politics, it is putting one foot firmly in the dystopian game, announcing an upcoming production of Ray Bradbury’s Farenheit 451.
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
Sometimes a movie and a release date just make sense. While blockbuster Hollywood releases can often feel like a game of musical chairs — where every studio scrambles to find a summer release date that isn’t already occupied by a superhero movie or major franchise — occasionally, a movie hits theaters at just the right to really leverage a holiday. Take Amy Schumer’s Snatched. With the film set for an April 12 release date, it is perfectly situated to take advantage of Mother’s Day weekend. For once, you can take your mom out to a movie that you might both actually enjoy.
Writer-director Christopher McQuarrie seems to have developed a pretty strong working relationship with Tom Cruise. In addition to working with the actor on the highly regarded Mission: Impossible - Rogue Nation movie, McQuarrie had previously directed Cruise in Jack Reacher while also serving as either a producer or screenwriter on Jack Reacher 2 and Cruise’s upcoming Universal Monsters movie The Mummy. When it comes to actor-director pairings, there’s no denying McQuarrie and Cruise are one of the more impressive duos at work these days.
When word got out that Emily Blunt had been cast as the title character in Disney’s Mary Poppins Returns, the overwhelming response from most people was, “Well, sure.” Blunt has proven herself to be genre agnostic over the years, as likely to wow audiences in a science-fiction or action film as she is in a light-hearted comedy. That alone would make her an ideal candidate for Mary Poppins — as the rare actress capable of convincing audiences that she’d do justice to an iconic character — but she also bears a physical resemblance to Julie Andrews to boot. You couldn’t ask for better casting.
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