The first trailer for The House is about what you’d expect based on the plot description: Amy Poehler and Will Ferrell need to raise money to send their kid to college, so they start an illegal casino / underground fight club in their basement, various hijinks ensue, etc. It looks pleasant enough, and the combo of Poehler and Ferrell (with a handful of other funny people) should make for a solid comedy — though this one looks a bit safe, which is surprising considering that The House comes from the minds behind Neighbors.
Finally, the moment we’ve all been waiting for ever since Disney announced this live-action remake of Beauty and the Beast: The Gaston song. Listen, this “tale as old as time” is sweet and magical and all that other wonderful stuff, but it’s okay to admit that you’re 100 percent here for Luke Evans as the nefarious, narcissistic master of swagger, performing what is, with apologies to Angela Lansbury, the actual greatest song from Beauty and the Beast (don’t @ me).
Today in news filed under No Doy, Lin-Manuel Miranda has confirmed what we’ve all suspected ever since Hamilton became a Broadway sensation: The inevitable film adaptation is definitely coming…just, not anytime in the imminent future. Between plotting epic fantasy franchises and working on animated feature projects, Miranda is a pretty busy guy, to say the least. Besides, he just finished his run on the hit historical musical. Give the man a moment, will you?
If you’ve read Stephen King’s It, then the idea of a film adaptation that isn’t rated R sounds preposterous — and yet, it happened before with the 1990 television miniseries (which does not hold up, by the way). For those concerned that the new adaptation from director Andres Muschietti might forgo the R rating in favor of courting a wider audience, the producer of the upcoming film has laid those worries to rest while also confirming that Warner Bros. has every intention of making a sequel.
Paramount performed a little maintenance on their calendar last night, removing both World War Z 2 and the repeatedly delayed Friday the 13th reboot from their upcoming release schedule — but that’s not all. The studio has reportedly completely shut down production on their new Friday the 13th project, which was set to begin filming in just six weeks. With no release date (again) and pre-production halted, it seems that Jason Voorhees’ revival may be delayed indefinitely.
A handful of Super Bowl ads have already landed online ahead of this Sunday’s big game — it’s the usual mix of TV spots for upcoming movies like Ghost in the Shell and Transformers: The Last Knight, along with a few ads featuring familiar faces like Gal Gadot and John Malkovich promoting businesses and collecting paychecks. And then there’s Honda. Like others, their ad for this year’s Super Bowl also features several beloved celebs, but there’s something kind of unnerving about the execution.
The official title of the next chapter in the Star Wars saga was announced this morning, and there’s already been a little speculation among fans about who The Last Jedi might be — is it Luke Skywalker (the obvious choice) or Rey (the second-most obvious choice)? As it turns out, we already know, and by “we,” we mean you do, too…unless you didn’t see The Force Awakens. But observant fans will tell you that there may be a third option — one that’s less apparent, but a little more intriguing.
If you didn’t like The Ridiculous 6 or The Do-Over, don’t worry — Netflix isn’t giving up just yet. The streaming service is determined to make you love Adam Sandler again, and this time, they’re taking him back to 1994, which is probably the last time he was genuinely entertaining (OK, with the exception of The Wedding Singer). Yep, there’s another new Sandler movie coming to Netflix; behold, the first trailer for Sandy Wexler.
Neon pandas and rainbow-swirled unicorns and bubbly dolphins — that could describe an eight-year-old girl’s psychedelic mushroom trip, or Mariah Carey’s dream journal, or, more likely, a Lisa Frank Trapper Keeper from 1992. The Frank brand is still keeping the dream of the ’90s alive in 2017, and honestly, it’s surprising that it’s taken this long for her candy-colored creations to terrorize the big screen.
Margot Robbie wasted no time leveraging her stardom into producing her own projects, including an upcoming DC all-female super-villain ensemble film (in which she’ll reprise the role of Harley Quinn) and, perhaps more interestingly, a biopic about disgraced former figure skater Tonya Harding. Today brings our first look at Robbie’s transformation for the title role in I, Tonya, which is a bit more physically involved than you might expect.
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